PLEASE NOTE: Contrary to what Bandcamp states on the release pages, the purchase of the CDs do NOT come with downloads of the album. There are only excerpts. Apologies for false advertising that apparently cannot be removed from the pages.
Billy Gomberg's debut CD release displays abstract and complex
dimensions of texture and tone that might make more sense at first on a subconscious level before it will on a conscious one. Therefore, it is advised to first approach this music from a pure listening standpoint, free from preconceived notions of musical structure and form since it can defy such prosaic logic.
Billy explains: "These tracks are the start of my working toward a more immediate sound - improvisation w/software, real-time construction of the sound material and structure, taking priority. While some material comes from software in real-time, all other sound was generated by Roland Juno synthesizers, plus a few tracks incorporate my voice. Post-production editing and treatment were mostly employed to find the clearest expression of my improvisations and shape them into more conventional 'tracks' or 'songs.' When improvising in this style, I do have a sense of trying to find a 'song,' and letting that take me somewhere else. Somewhat more abstractly - where was I when I started this work - a good portion of this album was started just after I moved to Brooklyn in 2005. Risking cliché, this is raw sound, a discovery of style (or a total lack of it). I just make music, it's a space between the listener and myself. In this way, sound is 'simple' - it's presence as we listen gives it expression, our listening finds its language."
In an homage to early clicks 'n' cuts, Harz employs the art of microsampling to create these nine hypnotic numbers. Bandcamp New & Notable May 15, 2022
For this LP, Formen modified old 16bit effects units which were then cascaded via internal patch points to develop a glitchy sound. Bandcamp New & Notable Dec 18, 2021